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ny090424193407 A replica of Augustus Saint-GaudensÕs life-size bust of Abraham Lincoln is displayed in the apartment of Doris Kearns Goodwin, the Pulitzer Prize-winning historian, in Boston on Marcj 29, 2024. She received the sculpture when she won the 2006 Gilder Lehrman Lincoln Prize for her book ÒTeam of Rivals: The Political Genius of Abraham Lincoln.Ó (Tony Luong/The New York Times/Fotoarena)
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ny300521230906 Augustus Saint-Gaudens?s Diana adorns the top of the Great Stair Hall at the Philadelphia Museum of Art in Philadelphia, May 21, 2021. In Philadelphia, where Frank Gehry was tasked to reimagine one of the country?s oldest and most significant museums, he has left the stainless steel and the kinematics software at home. (Hannah Yoon/The New York Times/Fotoarena)
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ny050917153803 A banner is held up as demonstrators march to Trump Tower in New York on Sept. 5, 2017, to protest President Trump's order to end an Obama-era executive action that shields young unauthorized immigrants from deportation. In the background is Augustus Saint-Gaudens' monument to William Tecumseh Sherman. (Todd Heisler/The New York Times/Fotoarena)
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akg415484 Charles Stewart Parnell, Irish politician (founded the Irish Land League in 1879 and joined Ireland for the self-determination); 1846-1891. Charles S. Parnell Monument in Dublin, O'Connell Square (inaugurated in 1911, architect: Henry Bacon, sculpture, bronze, by Augustus Saint-Gaudens). Partial view. Photo 1995.
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akg5161445 Saint-Gaudens, Augustus 1848-1907. Samuel Gray Ward, Sculpture, ca. 1881-1908. Bronze, 48.3 × 34.9 cm. Inv. Nr. 12.29. New York, Metropolitan Museum of Art.
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akg5161157 Saint-Gaudens, Augustus 1848-1907. Admiral David Glasgow Farragut, Bust, ca. 1879-1910. Bronze and marble, 27.9 × 20.3 × 22.2 cm. Inv. Nr. 12.76.3a, New York, Metropolitan Museum of Art.
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akg5158764 Saint-Gaudens, Augustus 1848-1907. United States Ten-dollar Gold Piece, Coin, ca. 1906-1910. Gold, 2.7 cm. Inv. Nr. 1979.486.6. New York, Metropolitan Museum of Art.
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akg5159598 Saint-Gaudens, Augustus 1848-1907. Cornish Celebration Presentation Plaquette, ca. 1905-1906. Bronze and silver, 8.3 × 4.5 cm. Inv. Nr. 08.216. New York, Metropolitan Museum of Art.
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akg1941263 Lincoln, Abraham; 16. Präsident der USA; Hodgenville 12.2.1809-(ermordet) Washington 15.4.1865.-Lincoln-Denkmal im Grant Park in Chicago (Illinois, USA).-Bronzeskulptur, Guss 1909, enthüllt 1926, von Augustus Saint-Gaudens (1848-1907), Marmorsockel von Stanford White (1853-1906). Foto, 22.10.2012.
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akg1941262 Lincoln, Abraham; 16. Präsident der USA; Hodgenville 12.2.1809-(ermordet) Washington 15.4.1865.-Lincoln-Denkmal im Grant Park in Chicago (Illinois, USA).-Bronzeskulptur, Guss 1909, enthüllt 1926, von Augustus Saint-Gaudens (1848-1907), Marmorsockel von Stanford White (1853-1906). Foto, 22.10.2012.
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akg1941259 Lincoln, Abraham; 16. Präsident der USA; Hodgenville 12.2.1809-(ermordet) Washington 15.4.1865.-Lincoln-Denkmal im Grant Park in Chicago (Illinois, USA).-Bronzeskulptur, Guss 1909, enthüllt 1926, von Augustus Saint-Gaudens (1848-1907), Marmorsockel von Stanford White (1853-1906). Foto, 22.10.2012.
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akg339077 Parnell, Charles Stewart; Irish politician (founded the Irish Parliamentary Party); 27.6.1846 Avondale. (County Wicklow) - 6.10.1891 Brighton). Charles S. Parnell Monument in Dublin, O'Connell Square (erected 1911, Arch.: Henry Bacon; Sculpture, bronze, by Augustus Saint-Gaudens). - View. Photo, 2002.
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orz178601 ESTATUA DE ABRAHAM LINCOLN-FRENTE AL PARLAMENTO - FOTO OCT 88. Author: AUGUSTUS SAINT-GAUDENS (1848-1907). Location: EXTERIOR. LONDON. ENGLAND.
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orz178602 ESTATUA DE ABRAHAM LINCOLN-FRENTE AL PARLAMENTO - FOTO OCT 88. Author: AUGUSTUS SAINT-GAUDENS (1848-1907). Location: EXTERIOR. LONDON. ENGLAND.
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orz181765 DIANA CAZADORA-ESCULTURA EN BRONCE. Author: AUGUSTUS SAINT-GAUDENS (1848-1907). Location: MUSEO AMON CARTER. TEXAS-FORT WORTH. DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA.
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orz181764 DIANA CAZADORA-ESCULTURA EN BRONCE DORADO. Author: AUGUSTUS SAINT-GAUDENS (1848-1907). Location: MUSEO AMON CARTER. TEXAS-FORT WORTH. DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA.
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orz124263 PATIO DE CARLOS ENGELHARD-ESCULTURA DE DIANA CAZADORA (1892-93). Author: AUGUSTUS SAINT-GAUDENS (1848-1907). Location: METROPOLITAN MUSEUM OF ART. NEW YORK. DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA.
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orz124262 PATIO DE CARLOS ENGELHARD-ESCULTURA DE DIANA CAZADORA (1892-93). Author: AUGUSTUS SAINT-GAUDENS (1848-1907). Location: METROPOLITAN MUSEUM OF ART. NEW YORK. DIANA CAZADORA-DIOSA EN LA MITOLOGIA ROMANA.
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ibllcl09475201 A neo-Classical revival style statue of Irish political leader Charles S. Parnell by sculptor Augustus Saint-Gaudens which stands in Dublin city centre. Parnell Square, Dublin, Ireland, Europe
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alb9530777 Augustus Saint-Gaudens. Date: 1897. Charcoal and graphite on paper. Museum: NATIONAL PORTRAIT GALLERY.
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alb5190223 Studies for the Violet Sargent Bronze Plaque in the Art Institute of Chicago, Augustus Saint-Gaudens, American, 1848 1907, Graphite on cream laid paper, Two figures: at left a seated woman, head in profile facing right, leaning on right arm with left hand on knee; at right, in rectangular frame, a woman in a long gown standing facing the observer., USA, 1890, sculpture, Drawing, Drawing.
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alb5191159 Study for the Violet Sargent Bronze Plaque in the Art Institute of Chicago, Augustus Saint-Gaudens, American, 1848 1907, Pen and purple ink on cream laid paper, Young woman, three-quarter-length, seated with head in profile, directed to right; hands in lap. Enclosed in rectangle with filling of curved lines in upper right corner. Below in small square, a bust with head in three-quarter view to right., USA, 1890, sculpture, Drawing, Drawing.
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akg5822804 Augustus Saint-Gaudens. 1848-1907. "Mrs. Schuyler Van Rensselaer (Mariana Griswold)", 1888. (Mariana Griswold Van Rensselaer, 1851-1934). Bronze, 51.8 × 19.7 cm. Inv.no. 17,104; New York, Metropolitan Museum of Art. Museum: Wien, Österr. Galerie im Belvedere.
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alb4386102 Robert Louis Stevenson, Augustus Saint-Gaudens (American, 1848-1907), 1887-1888, bronze, 51-1/2 x 45-1/2 x 36 (diam.) in., American Painting and Sculpture to 1945.
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alb4245688 Amor Caritas, modeled 1898, cast after 1898. Augustus Saint-Gaudens (American, 1848-1907). Bronze; overall: 101 x 45.2 cm (39 3/4 x 17 13/16 in.).
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alb4242306 Diana, modeled 1899. Augustus Saint-Gaudens (American, 1848-1907). Bronze; overall: 99.7 x 42.2 cm (39 1/4 x 16 5/8 in.); base: 33 x 33 cm (13 x 13 in.).
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alb2638168 Augustus Saint-Gaudens, "Double Eagle" Twenty Dollar Gold Piece [obverse], American, 1848-1907, model 1905-1907, struck 1907, gold alloy.
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alb3499418 Mildred Howells, 1897, silvered bronze, Diameter: 2 7/8 in. (7.3 cm), Sculpture, Augustus Saint-Gaudens (American, Dublin 1848–1907 Cornish, New Hampshire), This medal of poet and artist Mildred Howells (1873-1966) was excerpted from Saint-Gaudens’s rectangular low-relief portrait of the sitter posed alongside her father, writer William Dean Howells. The reduced circular shape illustrates Saint-Gaudens’s mastery of compositional design, as the simple lines of Howells’s right-facing profile are enlivened by the bold twists and delicate wisps of her low-swept bun.
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alb3498634 Richard Watson Gilder, Helena de Kay Gilder, and Rodman de Kay Gilder, modeled 1879, cast ca. 1883–84, Plaster, 8 5/8 x 16 7/8 in. (21.9 x 42.9 cm), Sculpture, Augustus Saint-Gaudens (American, Dublin 1848–1907 Cornish, New Hampshire), Among Saint-Gaudens' most technically innovative sculptures is a charming series of low-relief portraits of artists and friends completed during the late 1870s in Paris. This example, a compact rectangular portrait of the Richard Watson Gilder family, was the sculptor's most ambitious to date.
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alb3482334 United States Ten-dollar Gold Piece, 1906–7, gold coin 1910, American, Gold, Diam. 1 1/16 in. (2.7 cm), Augustus Saint-Gaudens (American, Dublin 1848–1907 Cornish, New Hampshire), Having proclaimed the coinage produced by the United States Mint uninspired and commonplace, President Theodore Roosevelt invited Saint-Gaudens to redesign the ten- and twenty-dollar gold coins and the one-cent piece.
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alb3607656 Charles F. McKim, Stanford White, and Augustus Saint-Gaudens. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: Diam. 6 in. (15.2 cm). Date: 1878.In summer 1878 Saint-Gaudens and the architects Stanford White (1853-1906) and Charles McKim (1847-1909) departed from Paris for an eleven-day "busman's holiday" to central and southern France. Soon thereafter Saint-Gaudens fashioned this sketchy, lighthearted medallion as a souvenir for the trio, replete with reminders of the trip. White's leonine features appear at the top, with McKim's balding compacted head at the right and Saint-Gaudens's angular profile at the left. Around the rough edge are shorthand notations of the towns they visited while in the center appear the tools of their trades: sculptor's mallet and architect's dividers and T-square, as well as miniature representations of Claus Sluter's Moses Fountain near Dijon and the twelfth-century Romanesque church at St. Gilles. This cast originally belonged to White. Museum: Metropolitan Museum of Art, New York, USA.
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alb3427888 Davida Johnson Clark, 1886, Plaster, shellac, 10 1/2 x 6 1/2 x 6 1/2 in. (26.7 x 16.5 x 16.5 cm), Sculpture, Augustus Saint-Gaudens (American, Dublin 1848–1907 Cornish, New Hampshire), This graceful underlifesize portrait of Davida Johnson Clark (1861–1910) was a gift from Saint-Gaudens to his longtime model and mistress and the mother of his second son, Louis (b. 1889). The private token of affection also served as an early study for the head of Diana for the tower of Madison Square Garden, the most public of Saint-Gaudens’s outdoor sculptures.
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alb3456849 Abraham Lincoln: The Man (Standing Lincoln), 1884–87; reduced 1910; cast 1911, Bronze, 40 1/2 x 16 1/2 x 30 1/4 in. (102.9 x 41.9 x 76.8 cm), Sculpture, Augustus Saint-Gaudens (American, Dublin 1848–1907 Cornish, New Hampshire), This statuette is a reduction after Saint-Gaudens’s monument to Abraham Lincoln (1809–1865), which was dedicated in Chicago’s Lincoln Park in 1887. The sculptor based the portrait on Leonard Wells Volk’s life mask of Lincoln.
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alb3431995 Young Duck, ca. 1914–16; cast 1918, Bronze, 11 x 5 7/8 x 8 1/2 in. (27.9 x 14.9 x 21.6 cm), Sculpture, Harry Dickinson Thrasher (American, Plainfield, New Hampshire 1883–1918 France), A long-time assistant in the studio of Augustus Saint-Gaudens, Thrasher was awarded in 1911 a prestigious three-year scholarship by the American Academy in Rome for study and travel. He probably completed this naturalistic representation of a duck after his return from Rome to the United States.
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alb9438875 William Evarts Beaman in his Fourth Year, 1885 (cast after 1907), Augustus Saint-Gaudens; Founder: Gorham Manufacturing Company, Providence, Rhode Island, 18651967, 28 3/8 x 26 1/2 in. (72.07 x 67.31 cm), Bronze bas relief mounted on oak panel, United States, 19th-20th century.
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alb9362405 Robert Louis Stevenson, Augustus Saint-Gaudens, American (born Ireland), 18481907, 188788; cast 18981914, Bronze, Made in United States, North and Central America, Metalwork, sculpture, diameter: 17 1/4 in. (43.8 cm).
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alb9365188 The Puritan, Augustus Saint-Gaudens, American (born Ireland), 18481907, 1899, Bronze, Made in United States, North and Central America, Metalwork, sculpture, 30 5/8 x 20 1/4 x 12 1/2 in. (77.8 x 51.4 x 31.8 cm).
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alb9371108 Amor Caritas, Augustus Saint-Gaudens, American (born Ireland), 18481907, 1898, cast later, Gilded bronze, New York, United States, North and Central America, Sculpture, 40 1/8 x 17 3/8 x 4 5/8 in. (101.9 x 44.2 x 11.7 cm).
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alb3624901 The Puritan. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 30 1/2 x 18 1/2 x 13 in. (77.5 x 47 x 33 cm). Date: 1883-86, cast 1899 or after.In 1881 Saint-Gaudens was commissioned by Chester W. Chapin, a railroad tycoon and congressman, to sculpt a large-scale bronze likeness of an ancestor, Deacon Samuel Chapin (1595-1675), one of the three founding fathers of Springfield, Massachusetts. The sculptor wrote in his "Reminiscences" that: "The statue . was to represent Deacon Samuel Chapin, but I developed it into an embodiment . of the 'Puritan.'" On Thanksgiving Day 1887, "The Puritan" was unveiled on Stearns Square in Springfield, at one end of a site designed by Stanford White. The monument was relocated to Merrick Park in 1899. In "The Puritan," Saint-Gaudens successfully translated an abstract idea into three-dimensional form. The figure is not an individual portrait, but a representation of Puritan dogma. Eyes focused downward, he strides with a knotty walking stick across the pine-strewn New England wilderness, symbolized by a few scattered branches on the base. About 1894, Saint-Gaudens resolved to make reductions after the full-size "Puritan," because of the statue's popularity and for the income he would derive. Located reductions, which number more than forty, reveal minor alterations to the figure, which at once add energy and soften the facial expression. By mid-1898 bronze reductions were being cast in Paris. Examples vary in the angles of the hat and the walking stick and particularly in the coloration, which ranges from gold to brown to the green of the Metropolitan's cast. Museum: Metropolitan Museum of Art, New York, USA.
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alb3604946 Victory. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 38 x 9 1/2 x 18 1/2 in., (96.5 x 24.1 x 47 cm). Date: 1892-1903; this cast, 1914 or after (by 1916).Adapted from the full-size figure of Victory on Saint-Gaudens's equestrian monument to the Civil War general William Tecumseh Sherman (1892-1903; Grand Army Plaza, Manhattan), this winged allegorical figure is depicted as a triumphant guiding force. Her classicizing gown is emblazoned with an eagle, and she wears a crown of laurel and holds a palm frond--both traditional emblems of victory. The windblown pose recalls that of the Hellenistic marble "Nike of Samothrace" (Musée du Louvre, Paris). The principal model for Victory was Hettie Anderson, an African-American woman who was a favored artists' model in New York during the 1890s. Museum: Metropolitan Museum of Art, New York, USA.
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akg892100 Black soldier of the 54th Massachusetts Regiment, memorial in Boston, Massachusetts. Digital photograph of a basrelief sculpture by Augustus Saint-Gaudens.
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akg892101 Black soldier of the 54th Massachusetts Regiment, memorial in Boston, Massachusetts. Digital photograph of a basrelief sculpture by Augustus Saint-Gaudens.
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akg892082 Black soldiers of the 54th Massachusetts Regiment, memorial in Boston, Massachusetts. Digital photograph of a basrelief sculpture by Augustus Saint-Gaudens.
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akg892080 Robert Gould Shaw in command of black troops of the 54th Massachusetts Regiment, memorial in Boston, Massachusetts. Digital photograph of a basrelief sculpture by Augustus Saint-Gaudens.
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akg892095 Black soldier of the 54th Massachusetts Regiment, memorial in Boston, Massachusetts. Digital photograph of a basrelief sculpture by Augustus Saint-Gaudens.
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akg892098 Robert Gould Shaw in command of black troops of the 54th Massachusetts Regiment, memorial in Boston, Massachusetts. Digital photograph of the basrelief sculpture by Augustus Saint-Gaudens.
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akg892089 Black soldier of the 54th Massachusetts Regiment, memorial in Boston, Massachusetts. Digital photograph of a basrelief sculpture by Augustus Saint-Gaudens.
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akg892099 Robert Gould Shaw in command of black troops of the 54th Massachusetts Regiment, memorial in Boston, Massachusetts. Digital photograph of a basrelief sculpture by Augustus Saint-Gaudens.
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akg892084 Black soldiers of the 54th Massachusetts Regiment, memorial in Boston, Massachusetts. Digital photograph of the basrelief sculpture by Augustus Saint-Gaudens.
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akg8372051 Augustus Saint-Gaudens. Amor Caritas, modeled 1898, cast after 1898. Sculpture, Bronze, 101 × 45.2 cm. Inv. No. 1923.726, Cleveland, Museum of Art.
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akg8372352 Augustus Saint-Gaudens. Diana, modeled 1899. Sculpture, Bronze, 99.7 × 42.2 cm. Inv. No. 1946.354, Cleveland, Museum of Art.
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alb4159393 Augustus Saint Gaudens II (Saint Gaudens and his model). Anders Zorn; Swedish, 1860-1920. Date: 1897. Dimensions: 137 x 198 mm (image/plate); 300 x 400 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, Chicago, USA. Author: Anders Zorn.
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alb3665587 Augustus Saint-Gaudens. Artist: Kenyon Cox (American, Warren, Ohio 1856-1919 New York). Dimensions: 33 1/2 x 47 1/8 in. (85.1 x 119.7 cm). Date: 1887, replica 1908.Cox and Augustus Saint-Gaudens (1848-1907) met in Paris in the 1870s and exchanged portraits in 1887: an oil painting for a bronze relief. The original canvas was lost in Saint-Gaudens's 1904 studio fire, so Cox created this replica in time for the Metropolitan Museum's 1908 memorial exhibition of the sculptor's work. Saint-Gaudens is shown in his New York studio, modeling in clay a portrait relief of the artist William Merritt Chase. A bronze likeness of the sculptor's son, Homer, hangs on the wall (the Museum owns a marble replica; 05.15.2). Cox cleverly echoed his friend's portrait reliefs by showing him in profile. Museum: Metropolitan Museum of Art, New York, USA.
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akg8251248 Augustus Saint-Gaudens, 1848 - 1907. Study for the Violet Sargent Bronze Plaque in the Art Institute of Chicago, 1890. Sculpture, Pen and purple ink on cream laid paper. Inv. Nr. 1937-70-3. Washington, Cooper Hewitt, Smithsonian Design Museum.
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akg5164109 Saint-Gaudens, Augustus 1848-1907. Mildred Howells, Medal, 1897. Silvered bronze, 7.3 cm. Inv. Nr. 2009.432a, New York, Metropolitan Museum of Art.
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akg5164082 Saint-Gaudens, Augustus 1848-1907. Mrs. Schuyler Van Rensselaer (Mariana Griswold), Sculpture, ca. 1888-1890. Bronze, 51.8 × 19.7 cm. Inv. Nr. 17.104. New York, Metropolitan Museum of Art.
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akg5164078 Saint-Gaudens, Augustus 1848-1907. Richard Watson Gilder, Helena de Kay Gilder, and Rodman de Kay Gilder, Sculpture, ca. 1879-1884. Plaster, 21.9 × 42.9 cm. Inv. Nr. 2002.445. New York, Metropolitan Museum of Art.
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akg5161174 Saint-Gaudens, Augustus 1848-1907. Eva Rohr, Bust, 1872. Marble, 47.3 × 23.5 × 16.5 cm. Inv. Nr. 1990.317. New York, Metropolitan Museum of Art.
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akg5159919 Saint-Gaudens, Augustus 1848-1907. Davida Johnson Clark, Bust, 1886. Plaster, shellac, 26.7 × 16.5 × 16.5 cm. Inv. Nr. 2003.303. New York, Metropolitan Museum of Art.
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akg5822964 Augustus Saint-Gaudens. 1848-1907. "Mortimer Leo and Frieda Fanny Schiff", 1884/85. (Mortimer, 1877-1931, and Frieda Schiff, 1876-1958, children of New York banker Jacob Henry (Jakob Heinrich) Schiff, 1847-1920, and his wife Therese Loeb). Bronze, 171 × 128 cm. Inv.no. 1647; Cornish, Saint-Gaudens National Historic Site. Museum: Wien, Österr. Galerie im Belvedere.
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akg5076858 Zorn, Anders 1860-1920. Augustus Saint Gaudens II (Saint Gaudens and his Model), Print, 1897. Etching and drypoint?, single state, 13.7 × 19.8 cm. Inv. Nr. 17.3.726. New York, Metropolitan Museum of Art.
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akg5076857 Zorn, Anders 1860-1920. Augustus Saint Gaudens, Print, 1897. Etching, second state, 19.7 × 13.5 cm. Inv. Nr. 17.3.670. New York, Metropolitan Museum of Art.
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akg6523468 Augustus Saint-Gaudens, 1848-1907. Robert Louis Stevenson, 1887-1888. Bronze. Inv. No. 1973.650, Chicago, Art Institute.
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akg6022242 Augustus Saint Gaudens (1848-1907). Florence Gibbs, 1872. Sculpture, marble, 38.1 × 25.4 cm. Inv. Nr. 24.5, Los Angeles, County Museum of Art.
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alb4161012 August Saint Gaudens I. Anders Zorn; Swedish, 1860-1920. Date: 1898. Dimensions: 190 x 131 mm (image); 197 x 139 mm (plate); 273 x 204 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, Chicago, USA. Author: Anders Zorn.
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alb4211766 United States Twenty Dollar Coin. Augustus Saint-Gaudens; American, born Ireland, 1848-1907; Modified by Charles E. Barber; American, 1841-1917. Date: 1907. Dimensions: 3.5 cm (1 3/8 in.). Gold. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
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alb4210228 World's Columbian Exposition Commemorative Medal. Augustus Saint-Gaudens (obverse); American, born Ireland, 1848-1907; Charles E. Barber (reverse); American, born England, 1840-1917. Date: 1892-1894. Dimensions: Diam. 7.7 cm (3 in.). Bronze. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
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alb4210716 World's Columbian Exposition Commemorative Presentation Medal. Augustus Saint-Gaudens; American, born Ireland, 1848-1907. Date: 1892-1894. Dimensions: Diam. 10.2 cm (4 in.). Bronze. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
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alb4209842 Amor Caritas. Augustus Saint-Gaudens; American, born Ireland, 1848-1907. Date: 1897. Dimensions: 131.4 × 80.7 cm (51 3/4 × 31 3/4 in.). Bronze. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
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alb4209807 The Puritan. Augustus Saint-Gaudens; American, born Ireland, 1848-1907. Date: 1883-1886. Dimensions: 77.5 × 50.8 × 33 cm (30 1/2 × 20 × 13 in.). Bronze. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
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alb4209875 Violet Sargent. Augustus Saint-Gaudens; American, born Ireland, 1848-1907. Date: 1890. Dimensions: 127 × 87 cm (50 × 34 1/4 in.). Bronze. Origin: New Hampshire. Museum: The Chicago Art Institute, Chicago, USA.
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alb4209920 Bust from the Adams Memorial. Augustus Saint-Gaudens; American, born Ireland, 1848-1907. Date: 1892-1893. Dimensions: 51.4 × 30.5 × 26.7 (20 1/4 × 12 × 10 1/2 in.). Bronze. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.
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alb4209940 Jules Bastien-Lepage. Augustus Saint-Gaudens; American, born Ireland, 1848-1907; Cast by Magee Furnace Company; Chelsea, Massachusetts. Date: 1880. Dimensions: 37.2 × 27 cm (14 5/8 × 10 5/8 in.). Copper with bronze patina. Origin: Paris. Museum: The Chicago Art Institute, Chicago, USA.
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alb3672745 Rodman de Kay Gilder. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 13 1/2 x 16 7/8 in. (34.3 x 42.9 cm). Date: 1879, cast probably 1880.In one of Saint-Gaudens's earliest representations of childhood's innocence, the cherubic head of Rodman de Kay Gilder (1877-1953) floats on a field of bronze. Saint-Gaudens excerpted this head study of the toddler from portrait of Richard Watson Gilder's family completed several months earlier (2002.445). Saint-Gaudens's love of technical experimentation in his sculpture is evident in the scumbled treatment of hair and clothing resembling thickly-applied painted pigment, the wispy horizontal striations of the background recalling etching, and the cornice-like architectural element above. Saint-Gaudens was particularly pleased by the quality of this bronze, which he "cast on this side of the 'Pond'" (rather than in Paris), at a time when the American art bronze casting industry was coming of age. Museum: Metropolitan Museum of Art, New York, USA.
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alb3678823 Claerchen. Artist: Karl Theodore Bitter (American (born Austria), Vienna 1867-1915 New York). Dimensions: 21 3/4 x 13 1/8 in. (55.2 x 33.3 cm). Date: 1893.Bitter no doubt viewed this profile of Clare, his six-year-old niece, as a casual representation, as suggested by the sketchy, tactile handling of form. Striated tool marks add dynamism to Bitter's characterization of his wide-eyed sitter. Once considered a means to a more polished end, the sketch aesthetic was popularized in the late-nineteenth century through low relief portraits by Augustus Saint-Gaudens and others. "Claerchen" is a diminutive form of the sitter's name that recalls Bitter's Austrian heritage. Museum: Metropolitan Museum of Art, New York, USA.
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alb3625950 Robert Louis Stevenson. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 35 1/4 in., 116lb. (89.5 cm). Date: 1887-88; cast 1910.Impressed by Robert Louis Stevenson's collection of stories "New Arabian Nights" (1882), Saint-Gaudens told their mutual friend, Will Low, that he would be honored to model a portrait if the writer were ever to come to the United States. The opportunity presented itself in 1887-88, when Stevenson (1850-1894) sat for the sculptor in New York and later in Manasquan, New Jersey. Stevenson, suffering from tuberculosis, is shown writing in bed, as was his custom. The lengthy inscription is a poem by Stevenson dedicated to Low and published in 1887. The portrait became Saint-Gaudens's most popular relief and was produced in three diameters (this is the largest size) as well as in rectangular variants. Museum: Metropolitan Museum of Art, New York, USA.
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alb3627743 George Washington Inaugural Centennial Medal. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire); Modeled by Philip Martiny (1858-1927). Dimensions: Diam. 4 1/2 in. (11.4 cm). Date: 1889.In winter 1888-89 Saint Gaudens received his first official medallic commission, from the Committee on Art and Exhibition of the Washington Centennial Celebration. The medal was to be the official souvenir for the centennial of George Washington's swearing-in as first president of the United States on April 30, 1789 at New York's Federal Hall.Although he designed the medal, Saint-Gaudens turned its modeling over to his assistant Philip Martiny. The half-length profile portrait of Washington in Continental uniform on the front face of the medal harks back to the authoritative sculptural likenesses of the pater patriae by Jean Antoine Houdon, the full-length marble statue of 1792 in the State Capitol in Richmond, Virginia, which was in turn based on a life portrait from 1785. At the right are the fasces of majesty, the bundle of staves representing the United States and the axe and blade its military and executive power. Thirteen stars symbolizing the original states are evenly spaced near the edge. On the reverse, an American eagle with spread wings and arrows and an olive branch in its claws bears a shield with the inscription E PLVRIBVS VNVM (Out of many, one). At the lower left are a lengthy commemorative inscription and the shield of the shield of arms of New York City. Around the border are thirty-eight stars representing the number of states in the union in April 1889. The medal's compositional format and technique are strongly indebted to the Renaissance medallic art Saint-Gaudens admired. (He collected plasters casts after Pisanello to display in his studio.)The medal was cast by Gorham Manufacturing Company in an edition of 2000 bronze and 10 silver examples. Henry Gurdon Marquand, chairman of the Committee on Art and Exhibition and president of The Metropolitan Museum of Art donated two examples (90.18.1, .2) of this medal to the Museum in 1890. They were the first works by Saint-Gaudens to enter the collection. Museum: Metropolitan Museum of Art, New York, USA.
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alb3620748 Life Mask of Abraham Lincoln. Artist: Leonard Wells Volk (1828-1895); Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: L. 8 in. (20.3 cm). Date: 1860, cast 1886.In 1860 Volk made molds of the face and hands of Abraham Lincoln (1809-1865). The life mask reproduces Lincoln's beardless face as it appeared during his first presidential campaign. The hand (2007.185.1) grips a broomstick, a prop that Lincoln improvised upon Volk's suggestion that he hold something cylindrical resembling a document. In 1886 Saint-Gaudens, the collectors Thomas B. Clarke and Erwin Davis, and the journalist Richard W. Gilder together purchased the original plaster casts to present to the Smithsonian Institution. To finance the donation, they sold bronze and plaster casts after Volk's originals, with production supervised by Saint-Gaudens. Museum: Metropolitan Museum of Art, New York, USA.
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alb3602115 Robert Louis Stevenson. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: Diam. 17 7/8 in. (45.4 cm). Date: 1887-88, cast 1898.Saint-Gaudens met noted author Robert Louis Stevenson after reading his "New Arabian Nights," published in 1882. The sculptor recalled in his "Reminiscences": "My introduction to these stories set me aflame as few things in literature. So when I subsequently found that my friend, Mr. [Will Hicok] Low knew Stevenson quite well, I told him that, if Stevenson ever crossed to this side of the water, I should consider it an honor if he would allow me to make his portrait." After arriving in America, Stevenson agreed to sit for Saint-Gaudens, without hesitation. The author deemed the finished relief a "speaking likeness." He also thought the inscribed verses (a poem by Stevenson dedicated to Low, their mutual friend) "look[ed] remarkably well." Saint-Gaudens depicted Stevenson reclining in bed, cigarette poised in hand, with pieces of paper balanced on his knees. The first version of "Robert Louis Stevenson," cast in 1887, was rectangular. Saint-Gaudens later adapted it to a circular format that he considered superior. Numerous casts of this medallion were made during and after the artist's lifetime. This cast was executed under Saint-Gaudens' supervision and was made specifically for his student, Mary Lawrence (Tonetti). Museum: Metropolitan Museum of Art, New York, USA.
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alb3605383 General William Tecumseh Sherman. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 31 1/4 x 21 1/2 x 12 1/2 in., 104lb. (79.4 x 54.6 x 31.8 cm). Date: 1888, cast 1910.According to Saint-Gaudens, this bust of Civil War hero General William Tecumseh Sherman (1830-1891) was modeled during eighteen visits, each lasting about two hours. The sculptor depicted Sherman exactly as he appeared during the sittings--with his deeply creased brow, stubbly beard, and unbuttoned collar. The success of this portrait left Saint-Gaudens well poised to win a commission in 1892 for an equestrian monument honoring Sherman. The sculptor used the plaster version of this bust as the basis for Sherman's portrait on the monument. Museum: Metropolitan Museum of Art, New York, USA.
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alb3605379 John Singer Sargent. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: Diam. 2 1/2 in. (6.4 cm). Date: 1880.Saint-Gaudens's and Sargent's remarkable careers developed along parallel tracks. Both prodigiously gifted, they met in Paris in 1877 or 1878 while Saint-Gaudens was at work on his Farragut Monument and Sargent (1856-1925) was studying in the independent atelier of Carolus-Duran and enjoying early success exhibiting his society portraits and genre scenes in the Paris Salons. Sculptor and painter traveled in the same international cosmopolitan circles, sharing not only friends but also patrons. Saint-Gaudens advised Sargent on sculptural elements for his great mural cycle for the Boston Public Library (1890-1916), and he moved to London in 1886 Sargent reciprocated by introducing Saint-Gaudens to his British colleagues and prospective clients.This medal, Saint-Gaudens's first, is the smallest of the friendship portraits completed during his Paris tenure. The likeness of his friend is both matter-of-fact and piercing. The inscription on the grainy-textured field, BRVTTO RITRATTO, defies exact interpretation. Literally it means "crude portrait," which might imply that the sculptor was apologizing for the hasty execution, but "brutto" may also refer to Sargent's forceful and vigorous person, captured on an ironic miniature scale, or it may be an allusion to ancient Roman coins, with their irregular surfaces and profile portrait busts.The medal was given to the Metropolitan by the wife of Edward Robinson, director of the Museum from 1910 to 1931. The Robinsons were close friends of Sargent's, and they helped the Metropolitan acquire a number of his oils and works on paper, often directly from him. Museum: Metropolitan Museum of Art, New York, USA.
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alb3606396 Francis Davis Millet. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 10 5/8 x 6 3/4 in. (27 x 17.1 cm). Date: 1879.Saint-Gaudens and Francis Davis Millet (1846-1912) traveled in the same artistic circles, first meeting in Rome in 1873-74, and then painting murals for Henry Hobson Richardson's Trinity Church in Boston in 1876-77. Sculptor and painter/writer further solidified their bonds of friendship in Paris, and in March 1879 Saint-Gaudens, along with Samuel Clemens, stood in as witnesses at Millet's wedding at Montmartre. This portrait of the groom, with a painter's attributes of pallet and brushes, was likely a gift to the newlyweds. Here Saint-Gaudens delighted in rendering various textures, from the nubby coat to the wavy hair to the fine horizontal lines in the background. Millet's daughter donated this cast to the Metropolitan in 1910; two years later, in April 1912, he died in the sinking of the Titanic. Museum: Metropolitan Museum of Art, New York, USA.
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alb3603818 Diana. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 28 1/4 x 16 1/4 x 14 in. (71.8 x 41.3 x 35.6 cm). Date: 1893-94, cast 1894 or after.From its lofty perch on Madison Square Garden's tower, the resplendent gilded "Diana" enjoyed iconic status on the New York City skyline from 1892 to 1925. Saint-Gaudens capitalized on its fame by issuing three variant reductions; in this second version, the lithe goddess, about to release her arrow, is poised atop a full orb on a two-tiered base (a monumental version is on view in the Charles Engelhard Court of the American Wing; acc. no. 28.101). The lustrous patina was achieved by electro-plating a mixture of gold, copper, and zinc to the bronze surface. Museum: Metropolitan Museum of Art, New York, USA.
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alb3606047 Charles F. McKim. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 7 3/8 x 4 7/8 in. (18.7 x 12.4 cm). Date: 1878.McKim (1847-1909) sat for his portrait in Paris in 1878, a year before the formation of McKim, Mead & White, which became the most influential architectural firm of America's Gilded Age. McKim and Saint-Gaudens met in 1875, brought together by "a devouring love for ice cream," and remained close professional colleagues for three decades. Here McKim's features are truthfully rendered in profile, with a receding hairline, prominent jaw, and serious mien. The foliate scroll at the top and the group of acanthus leaves at the lower right refer to McKim's passion for the classical as his architectural touchstone. The affectionate inscriptions in filleted bands at top and bottom celebrate "my friend Mac [sic] Kim" and the "jolly days" they spent together with Stanford White in the south of France. Museum: Metropolitan Museum of Art, New York, USA.
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alb3659294 Diana. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 101 3/4 x 53 1/2 x 14 1/8 in. (258.4 x 135.9 x 35.9 cm). Date: 1892-93, cast 1928.Aware of Saint-Gaudens's desire to model a female nude, the architect Stanford White (1853-1906) gave him the commission for a weathervane for the tower of Madison Square Garden (demolished 1925). The first, eighteen-foot-tall sculpture proved too large and was replaced in 1894 by a streamlined version, five feet shorter. It became one of New York's most popular landmarks, and the sculptor capitalized on its success by issuing numerous reductions. This cast is a half-size model of the second version, produced from a cement cast once owned by White. Saint-Gaudens eschewed the traditional full-bodied interpretation of Diana, the Roman goddess of the moon and the hunt, focusing instead on simple, elegant lines and a strong silhouette. Museum: Metropolitan Museum of Art, New York, USA.
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alb3618778 Mrs. Stanford White (Bessie Springs Smith). Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: Diam. 14 1/4 in. (36.2 cm). Date: 1884, cast 1893.Saint-Gaudens frequently experimented with the size, format, and medium of his works, often driven to further refine completed compositions. The sculptor revised the original marble rectangular portrait of Bessie Springs Smith White (1862-1950) (1976.388) to a bust-length tondo format, relocating the inscription and adding an ivy-vine border alluding to affection and friendship. This bronze cast was in fact a gift of friendship to Mary Lawrence Tonetti, who was one of Saint-Gaudens's studio assistants during the 1890s and a distant cousin of the sitter. Museum: Metropolitan Museum of Art, New York, USA.
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alb3614177 Jules Bastien-Lepage. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 14 3/4 x 10 1/2 in. (37.5 x 26.7 cm). Date: 1880, cast 1910.Saint-Gaudens first met the artist Jules Bastien-Lepage (1848-1884) in 1868 while studying at the École des Beaux-Arts in Paris. He renewed his acquaintance with the French painter upon his return to Paris in 1877, and, as Saint-Gaudens later recalled, Bastien-Lepage "asked if I would make a medallion of him in exchange for a portrait of myself. Of course I agreed to the proposal." The last and most ambitious of the medallions depicting artist-friends completed during the sculptor's French tenure (1877-80), this portrait announces a complete technical and compositional mastery of the bas-relief. The painter's compact form fills the right and center of the composition, while his palette and brushes command its lower third. His hair and beard are neatly kept, and he wears a jacket, shirt with upraised collar, and loosely knotted tie. Bastien-Lepage's pride in his profession is sensitively expressed through his erect posture, vibrant and assured gaze, and comfortable grasp of the tools of his trade. The portrait evidently pleased Saint-Gaudens. According to his son Homer, "none of the medallions my father then modeled satisfied him to the extent of that of Bastien-Lepage, both because he believed the relief was as near perfection as he ever came, and because he was greatly interested in a rare combination of talent and vanity in his sitter." In this instance, Saint-Gaudens visually expressed Bastien-Lepage's egotism by accommodating his request that his hands not be depicted too prominently. Indeed, in the best of Saint-Gaudens' portraits, one senses an infusion of the sitter's character and a recording of psychological impressions. Museum: Metropolitan Museum of Art, New York, USA.
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alb3649183 Right Hand of Abraham Lincoln. Artist: Leonard Wells Volk (1828-1895); Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: L. 6 1/4 in. (15.9 cm). Date: 1860; cast 1886.In 1860 Volk made molds of the face and hands of Abraham Lincoln (1809-1865). The life mask (2007.185.2) reproduces Lincoln's beardless face as it appeared during his first presidential campaign. The hand grips a broomstick, a prop that Lincoln improvised upon Volk's suggestion that he hold something cylindrical resembling a document. In 1886 Saint-Gaudens, the collectors Thomas B. Clarke and Erwin Davis, and the journalist Richard W. Gilder together purchased the original plaster casts to present to the Smithsonian Institution. To finance the donation, they sold bronze and plaster casts after Volk's originals, with production supervised by Saint-Gaudens. Museum: Metropolitan Museum of Art, New York, USA.
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alb3643261 Cornelius Vanderbilt I. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 16 1/4 × 22 3/4 in. (41.3 × 57.8 cm). Date: 1882.Saint-Gaudens's work for Cornelius Vanderbilt II's grand residence on Fifth Avenue at Fifty-Seventh Street included three low-relief portraits of family members. The posthumous likeness of patriarch Cornelius Vanderbilt I, a steamship and railroad entrepreneur, presents the Commodore, as he was known, posed in profile against a dense background of oak leaves and acorns. This motif, symbolizing strength and regeneration, was adapted from the family coat of arms, visible at the lower right. Saint-Gaudens's bas-relief style underwent a noticeable shift in the early 1880s to incorporate such aestheticizing elements, rendering this portrait in harmony with the sumptuous tapestries and embossed leathers that decorated the house's interior. Museum: Metropolitan Museum of Art, New York, USA.
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alb3661661 Benjamin Franklin Commemorative Medal. Artist: Louis St. Gaudens (1854-1913). Dimensions: Diam. 4 in. (10.2 cm). Date: 1906.From the early 1870s onward Augustus Saint-Gaudens's younger brother Louis, who preferred to spell is last name "St. Gaudens," was a frequent contributor to the Saint-Gaudens studio enterprise. From time to time Augustus passed along to Louis commissions including this medal to commemorate the bicentennial of Benjamin Franklin's birth. The commission, brought about by an Act of Congress of April 27, 1904, was originally awarded to Augustus, but he insisted Louis sign the work as his own. In 1905, through the auspices of Metropolitan trustee Daniel Chester French, Saint-Gaudens received a plaster copy of Jean-Antoine Houdon's marble bust of Benjamin Franklin (1788; 72.6), which had been given to the Museum on 1872. This well-known portrait was the reference point for the bust-length profile on the medal's obverse. The reverse depicts a classically garbed figure of History sitting upon her throne holding a shield with a Latin inscription that translates as: "He snatched from the heavens the bolt and from the tyrant the scepter." The three allegorical figures at the base of the throne represent (from left to right) Franklin's varied contributions to Literature, Science, and Philosophy.Medals were struck by Tiffany & Co. in early 1906 in an edition of 151: 1 gold, which was presented to the Republic of France, and 150 bronzes, 100 of which, including this one, were distributed by President Theodore Roosevelt. Museum: Metropolitan Museum of Art, New York, USA.
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alb3665383 George Washington Inaugural Centennial Medal. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire); Modeled by Philip Martiny (1858-1927). Dimensions: Diam. 4 5/8 in. (11.7 cm). Date: 1889.In winter 1888-89 Saint Gaudens received his first official medallic commission, from the Committee on Art and Exhibition of the Washington Centennial Celebration. The medal was to be the official souvenir for the centennial of George Washington's swearing-in as first president of the United States on April 30, 1789 at New York's Federal Hall.Although he designed the medal, Saint-Gaudens turned its modeling over to his assistant Philip Martiny. The half-length profile portrait of Washington in Continental uniform on the front face of the medal harks back to the authoritative sculptural likenesses of the pater patriae by Jean Antoine Houdon, the full-length marble statue of 1792 in the State Capitol in Richmond, Virginia, which was in turn based on a life portrait from 1785. At the right are the fasces of majesty, the bundle of staves representing the United States and the axe and blade its military and executive power. Thirteen stars symbolizing the original states are evenly spaced near the edge. On the reverse, an American eagle with spread wings and arrows and an olive branch in its claws bears a shield with the inscription E PLVRIBVS VNVM (Out of many, one). At the lower left are a lengthy commemorative inscription and the shield of the shield of arms of New York City. Around the border are thirty-eight stars representing the number of states in the union in April 1889. The medal's compositional format and technique are strongly indebted to the Renaissance medallic art Saint-Gaudens admired. (He collected plasters casts after Pisanello to display in his studio.)The medal was cast by Gorham Manufacturing Company in an edition of 2000 bronze and 10 silver examples. Henry Gurdon Marquand, chairman of the Committee on Art and Exhibition and president of The Metropolitan Museum of Art donated two examples (90.18.1, .2) of this medal to the Museum in 1890. They were the first works by Saint-Gaudens to enter the collection. Museum: Metropolitan Museum of Art, New York, USA.
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alb3667030 Frances Folsom Cleveland. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: Diameter: 5 1/2 in. (14 cm). Date: 1887-92, cast 1902.Saint-Gaudens began modelling a low-relief portrait of Frances Folsom Cleveland (1864-1947), wife of President Grover Cleveland, while both were guests at the summer home of Helena and Richard Gilder in Marion, Massachusetts, in August 1887, completing the seventeen-inch medallion in 1892. It depicts Mrs. Cleveland one year after her marriage to the President, at age twenty-three, wearing an upswept hairstyle and a fashionable, high-collared dress. In late 1901, Saint-Gaudens reduced the scale of the plaster medallion to five-and-a-half inches in diameter, and early in 1902 he cast it in bronze and presented this example to Richard Gilder as a birthday present. Museum: Metropolitan Museum of Art, New York, USA.
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alb3662697 Edward Alexander MacDowell. Artist: Helen Farnsworth Mears (American, Oshkosh, Wisconsin 1871-1916 New York). Dimensions: 33 1/2 x 40 in. (85.1 x 101.6 cm). Date: 1906, cast 1907.MacDowell (1861-1908) was an internationally recognized composer, pianist, and teacher and was the first professor of music at Columbia University. During his last years, MacDowell dreamed of establishing a retreat at his farm in Peterborough, New Hampshire, where writers, artists, musicians, and composers would find creative inspiration in the natural surroundings. The MacDowell Colony, founded in 1907 and still active today, was managed by his widow, Marian Nevins MacDowell, until 1946.MacDowell's deteriorating health prompted Marian MacDowell to commission this portrait in 1906. She first turned to Augustus Saint-Gaudens, who, also ill, recommended Mears, one of his former pupils. Mears' indebtedness to Saint-Gaudens' masterful bas-relief style is evident. For this portrait, she drew compositional inspiration from Saint-Gaudens' Robert Louis Stevenson (12.76.1) in such aspects as the profile position and the personalized inscription. At MacDowell's request, Mears included in the inscription a line from one of his poems, as well as several bars from the third movement of his Sonata Tragica (op. 45, 1891-92) for the piano. Museum: Metropolitan Museum of Art, New York, USA.
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alb3667932 Cornish Celebration Presentation Plaque. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 32 1/2 × 18 7/8 in. (82.6 × 48 cm). Date: 1905-6.In commemoration of Saint-Gaudens's twenty years in Cornish, New Hampshire, residents wrote, organized, and acted in the allegorical play "A Masque of 'Ours,' the Gods and the Golden Bowl." It was performed on June 22, 1905, on the grounds of the sculptor's house, Aspet, with the participants dressed as ancient mythological figures. Soon thereafter, Saint-Gaudens modeled a plaque to express his gratitude to the players and musicians. The text painstakingly records their names, while a classical temple framed by pine trees draped with stage curtains and masks recalls the setting. This large gilded version was a gift to the playwright, Louis Shipman, who wrote and directed the masque. Saint-Gaudens also distributed small silvered-bronze plaquettes that were individually inscribed to the participants, including one in The Met's collection (08.216) presented to the painter Kenyon Cox. Museum: Metropolitan Museum of Art, New York, USA.
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alb3660652 Amor Caritas. Artist: Augustus Saint-Gaudens (American, Dublin 1848-1907 Cornish, New Hampshire). Dimensions: 103 1/4 x 50 in. (262.3 x 127 cm). Date: 1880-98, cast 1918."Amor Caritas" represents the perfection of Saint-Gaudens's vision of the ethereal female, a subject that he modeled repeatedly, beginning in 1880. The elegant figure in a frontal pose with free-flowing draperies and downcast eyes also appears in the caryatids for the Vanderbilt mantelpiece (25.234) and in several funerary works. Here, Saint-Gaudens made subtle changes in the drapery and added upward-curving wings, a tablet, and a belt and crown of passionflowers. He considered several titles with universal themes, including To Know Is to Forgive, Peace on Earth, God Is Love, and Good Will towards Men, before settling on Amor Caritas [Love (and) Charity]. Museum: Metropolitan Museum of Art, New York, USA.
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akg8249256 Augustus Saint-Gaudens, 1848 - 1907. Studies for the Violet Sargent Bronze Plaque in the Art Institute of Chicago, 1890. Sculpture, Graphite on cream laid paper. Inv. Nr. 1937-70-4. Washington, Cooper Hewitt, Smithsonian Design Museum.
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akg8231801 Unidentified Artist.Augustus Saint-Gaudens, 1897.Drawing, Charcoal and graphite on paper.Inv. Nr. S / NPG. 97.167Washington, National Portrait Gallery.
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alb3742043 Charles Stewart Butler and Lawrence Smith Butler. Dated: 1880-1881. Dimensions: overall: 62.2 x 90.2 cm (24 1/2 x 35 1/2 in.) framed: 84.8 x 113 x 4.4 cm (33 3/8 x 44 1/2 x 1 3/4 in.). Medium: plaster. Museum: National Gallery of Art, Washington DC. Author: Augustus Saint-Gaudens.
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alb3697008 "Double Eagle" Twenty Dollar Gold Piece [reverse]. Dated: model 1905-1907, struck 1907. Dimensions: overall (diameter): 3.4 cm (1 5/16 in.). Medium: gold alloy. Museum: National Gallery of Art, Washington DC. Author: Augustus Saint-Gaudens.
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alb3696749 "Double Eagle" Twenty Dollar Gold Piece [obverse]. Dated: model 1905-1907, struck 1907. Dimensions: overall (diameter): 3.4 cm (1 5/16 in.). Medium: gold alloy. Museum: National Gallery of Art, Washington DC. Author: Augustus Saint-Gaudens.
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